She stopped in her tracks.
She looked shock.
Her eyes narrowed.
She turned and walked away.
What did I say?
I tried to think back.
Did I offend?
By her response, yes.
She was hurt, deeply.
If only I could silent my tongue.
She stopped in her tracks.
She looked shock.
Her eyes narrowed.
She turned and walked away.
What did I say?
I tried to think back.
Did I offend?
By her response, yes.
She was hurt, deeply.
If only I could silent my tongue.
I heard this poem today that made me think of the novel "Hare." The poet, Norman Maccaig ran over a hare. We have all run over a squirrel, skunk, rabbit, etc. One time I hit a bird, rather a bird hit my windshield, and once a dog ran into my car.
This poem, Interruption to a Journey, states simple facts, but relives how I felt. It does this by meter. At least, that what I think. This is a simple experience, probably all of us have experienced. But the way it is written adds depth. We are forced to think about it. Only a poem can do justice to this experience. When we harm a living creature, it shouldn't be a small thing. Accidents change something. It leaves us in a different landscape.
The hare we had run over Bounced about the road On the springing curve Of its spine.
Cornfields breathed in the darkness, We were going through the darkness and The breathing cornfields from one Important place to another.
We broke the hare's neck And made that place, for a moment, The most important place there was, Where a bowstring was cut And a bow broken forever That had shot itself through so many Darknesses and cornfields.
We all know God turns bad into good. In this poem, The Jesus Infection by Maxine Kumin, who is an atheist, religion is mocked. Her underlying prejudice against religion drips through her choice of animals. She is driving behind trucks carrying animals and views the backside of picks and cows and sees a bumper sticker to "Honk if you love Jesus." Good thing she honked. She cooperates with grace.
I personally clearly identify with "The Jesus Infection". I remember cruising down the highway to the Cape with "Glory and Praise" music blasting from CD 's, the wind whipping my hair and voice around, and loving it. I think of Jesus being born in a stable, with curious farm animals looking in, and breathing right on him. The animal smell and natural bodily functions creating an odor and sight that Jesus was born in. This poem wouldn't bother Him, one bit. After all, He created it all.
The Jesus Infection
by
Maxine Kumin
Jesus is with me
on the Blue Grass Parkway going eastbound.
He is with me
on the Old Harrodsburg Road coming home.
I am listening
to country gospel music
in the borrowed Subaru.
The gas pedal
and the words
leap to the music.
On throw out the lifeline!
Someone is drifting away.
Flags fly up in my mind
without my knowing
where they've been lying furled
and I am happy
living in the sunlight
where Jesus is near.
A man is driving his polled Herefords
across the gleanings of a cornfield
while I am bound for the kingdom of the free.
At the little trestle bridge that has no railing
I see that I won't have to cross Jordan alone.
Signposts every mile exhort me
to Get Right With God
and I move over.
There's a neon message blazing
at the crossroad
catty-corner to the Burger Queen:
Ye Come With Me.
Is it well with my soul, Jesus?
It sounds so easy
to be happy after the sunrise,
to be washed in the crimson flood.
Now I am tailgating
and I read the bumper sticker
on a Ford truck full of Poland Chinas.
It says: Honk If You Know Jesus
and I do it.
My sound blats out for miles
behind the pigsqueal
and it's catching in the front end,
in the axle,
in the universal joint,
this rich contagion.
We are going down the valley on a hairpin turn,
the swine and me, we're breakneck in,
we're leaning on
the everlasting arms.
i walk on bones
snakes twisting
in my hand
locust breaking my mouth
an old man
leaving slavery.
home is burning in me
like a bush
God got his eye on.
If the title of Lucille Clifton's poem weren't "Moses," I wouldn't have a clue what this poem was about. However, the more I read it, the more I understand it. The bones and snakes and locusts represent the plagues; God sent to Pharoah. Moses was sent by God to free the Israelites from slavery. They roamed the desert for years, looking for a home. Home! That is really the theme of the poem, not Moses.
Moses met God in a bush that was on fire, but not burnt down. That bush drew Moses to it. Was not Moses drawn to a home? Does not home give warmth and light and love?
James Weldon Johnson wrote the following poem about the creation story from Genesis. He is a very accomplished and interesting man. He was a lawyer and diplomat, besides being the executive secretary of the NAACP. As you see below, he was a poet, and his poem "Lift Every Voice and Sing," became the anthem for the Black national anthem. Here is another of Johnson's famous poems, The Creation, followed by the poem Lift Every Voice and Sing, put to music.
THE CREATION
We give them back to you, O Lord,
who first gave them to us;
and as you did not lose them in giving,
so we do not lose them in the return.
Not as the world gives do you give,
O Lover of souls,
For what is yours is ours also,
if we belong to you.
Life is unending
because love is undying,
and the boundaries of this life are but an horizon,
and an horizon is but the limit of our vision.
Lift us up, strong Son of God,
that we may see further,
Strengthen our faith
that we may see beyond the horizon.
And while you prepare a place for us,
as you have promised,
prepare us also for that happy place;
that where you are we may be also,
with those we have loved, forever.
Written many years ago by an English Dominican friar, Bede Jarrett, op.
As the morning sun appears over the hills,
a young fawn drifts away from the herd,
grazing further to the edge of the forest.
The wolf pack strategically positions,
assessing vulnerability, surrounding
the doe grazing and foraging along
the grass, clover, and delicate blooms.
The wolves close in coordinated attack,
pounce, fangs exposed, they bite,
dig in, tear, pulling and ripping at
the throat, the head, face, and heart.
The herd falls in paralyzed powerlessness.
like the masked ICE agents swooping in
droves, to purge unsuspecting undesirables,
like teenagers going to volleyball practice.
Marcelo just turned 18, with dreams,
plans, and a promising future in the
United States of America.
or not.
He was a contender. His name was mentioned as papabile. I am talking about Cardinal Tolentino de Mendonca, from Portugal. He is a poet and writes under the name of Jose Tolentino Mendonca. He is a priest. Here is one of his poems.
Eschatology
And, at last, God returns
full of intimacy and unexpectedness
contemplated already from centuries above
humble measure of a verbal silence
we thought destined to be lost
See God climbing the steep path
that we have paced a thousand times
and stop to wait without impatience
meek as a sick lamb
Which one of us is the other’s shadow?
Even if no pity preserves the maps
we’ll come down close behind
rampant and empty
like a tree trunk
© Translated by Ana Hudson, 2012
The Franklin Senior Center Scribblers Writing Group is making a story walk around the Senior Center Building. Since each sign is a limited amount of space, we decided that each of us should write a poem. It should be seasonal and topical (references to places we Seniors would know.) Here's my first attempt.
Over the river and through the woods
the Gatra Bus does go.
This cold weather might bring snow,
perfect for December, this I know.
My fingers and toes are cold and red.
Maybe I should have stayed in bed.
My car wouldn't start.
Calling Gatra was very smart.
I must get to the Senior Center:
Bingo, Cribbage, and other adventures
beckon me out and into the cold
for activities, food and friends to behold.
For some reason, I'm sad today. My prayer partner prayed for his sister who is estranged from her children. IOW, she spent Mother's Day, alone.
A gray old woman sits all alone,
Unloved, uncherished, and unknown.
Sitting beside her broken door,
Dreaming of days passed long ago,
When children played about her knee
Filling the air with childish glee,
Tended by her with loving care,
Knowing the blessing of a Mother's prayer.
But now they have gone, each to his life.
A girl to her husband, a boy to his wife,
Forgetful are they of her who sits here,
Silently wiping a tricking tear.
For striving for things in a life so brief
Blind their poor eyes to a dear Mother's grief.
But does she upbraid them in word or in mind.
Nor does their neglect to her seem unkind.
She'll forgive and forget all unkindness they've shown
This poor old mother who sits alone.
Ruby Latimer Edwards. "The Forgotten Mother." Family Friend Poems, November 11, 2006. https://www.familyfriendpoems.com/poem/the-forgotten-mother
Sisterhood
Two girls, who like to play sisters.
Both wear different headscarves.
One is a hijab.
One is a tichel.
Will we grow old?
Will we see the sun set today?
Will we see the sun rise tomorrow?
Will we remember we are sisters?
Will the open dead eyes of the Palestinian corpses,
and the gaping holes of bombed homes by IDF
go away?
Will the ground ever be green again?
Will you feel your mother’s hands
saying “May Adonai make you like Sarah,
Rebecca, Rachel, and Leah?”
Will you hear your mother’s call to Salat
prayer, and bow and prostrate at her side?
Will we grow up to be soldiers
and will we fight each other?
Will we grow old?
Will we see the sun set today?
Will we see the sun rise tomorrow?
I’m afraid we won’t be able to forget.
Oscar Romero was a martyred priest from South America. No way could he have prayed this prayer. He was dead. It must have been written about him.
God put you here, at this time, in this place. Do what you can to make things better.
It helps, now and then, to step back and take a long view.
The Kingdom is not only beyond our efforts,
it is even beyond our vision.
We accomplish in our lifetime only a tiny fraction
of the magnificent enterprise that is God’s work.
Nothing we do is complete,
which is a way of saying that the Kingdom always lies beyond us.
No statement says all that could be said.
No prayer fully expresses our faith.
No confession brings perfection.
No pastoral visit brings wholeness.
No program accomplishes the Church’s mission.
No set of goals and objectives includes everything.
This is what we are about.
We plant the seeds that one day will grow.
We water seeds already planted,
knowing that they hold future promise.
We lay foundations that will need further development.
We provide yeast that produces effects far beyond our capabilities.
We cannot do everything,
and there is a sense of liberation in realizing that.
This enables us to do something,
and to do it very well.
It may be incomplete, but it is a beginning, a step along the way,
an opportunity for the Lord’s grace to enter and do the rest.
We may never see the end results,
but that is the difference between the master builder and the worker.
We are workers, not master builders;
ministers, not messiahs.
We are prophets of a future that is not our own.
Amen.
Love or the spank
Falls on shy and bold
I draw a blank
And choose control
For this child is contrite
No need for wrath
The hand will be light
I take the gentle path
The other bold stump
Defiant and proud
Gets a heavy pound
May his head be bowed
Discipline can't apply
Same to all children
Some regret and cry
Others defy again and again
What can be correct?
Love can be a spank
Is there any affect?
Love can be a spank
The worst day of his life has descended,
like the setting sun.
A inconsolable cry from a little girl,
heartbreaking.
Over what, my child?
Her scoop of ice cream has
fallen off.
Audacity!
Crying over spilled ice cream.
My friend Bill, had his feelings hurt, yesterday. He expresses himself better in rhyme that he does in reality. This is what I mean:
Words Hurt by Bill Wyllie ..
Sometimes words hurt,sometimes words sting. But oh my god the hate they bring. A sarcastic word it gets me going. I try yo calm myself so it's not showing. Tho sometimes it hurts, I let it pass. But sometimes I want them to kiss my ass. But I digress I'll show the love. In God we trust from heaven above. The memory lives on but I think good thoughts. Or sometimes I'd rather not.The Woman in Cabin 10 b y Ruth Ware is called a psychological thriller. To me it means that the protagonist, Lauren, will drive you crazy...